Here are some edited, versions of poems written primarily for performance.

Written as spoken word pieces they are designed to evolve, be adapted, improvised around and to be honed over time. As such they may change when you hear me perform them live. that is kind of the point.

The Poet Beanz The Poet Beanz

The Royal

The Royal Cinema in Plymouth first opened its doors in 1938 and continued until 2019. Plymouth Royal Cinema Community Benefit Society is the organisation campaigning to save the Royal. Their campaign 'SAVE THE ROYAL' aims to save the building as a multipurpose facility, with a cinema, community hub, live music venue, rehearsal spaces, bar and cafe.

This spoken word piece recalls bands and acts that played in this Cinema over the last 81 years, along with films and memories that have helped secure it's place in the heart of Janners across the city. There is mention of the legendary Compton Organ and the equally legendary Dudley Savage, an appearance by the projector room Ghost and all those details that made last centuries big night out at the cinema, so magical. (Not all of the films mentioned were shown here, but all were seen in one of the many cinemas around the city).

Please check out www.savetheroyal.com and see if you can help save a vital part of this cities history.

The Royal

the Royal ABC

the dreams hosted

on silver screens

the thick red ropes

the date night hopes

hands brush

in popcorn

box between

coming soon

Pearl and Dean

the pa pah pa pah

fanfare

then ice cream

Lyons Maid

inside their trays

the usherettes

Kia-ora, Cornetto

cigarettes

no smoke machine

special effects

the intermission

always dashing

finding seats in aisles

their torches flashing

the technicolour spectacle

the hot dogs most delectable

the loud crackles

on local ads

making tired sound respectable

Shadows once played

across the stage

a very special big night out

a magic place

it must not fade

it once made Lulu want to shout

The Beatles twice

The Rolling Stones

Norman Wisdom and Tom Jones

A hard days night

Paint it Black

Mr Grimsdale

What's new Pussycat?

The Walker Brothers

the sun ain't gonna shone anymore

Larry Grayson 'shut that door'

the queuing masses

now inside

the loud hubbub

the crowd alive

the fading chatter, anticipation

Ray Harryhausen's animation

the audience

the monsters roar

flickering glow under the door

The click and whir of film projector

the ghost that haunts the old back room

an intermittent dust mote spectre

illuminated in the gloom

Dudley Savage the Compton Organ

hospital requests on the BBC

'As prescribed' the choices for them

played from inside the ABC

I went into town on the 44 bus

too young for a glass of wine

Of all the cinemas in all all the world

she walked into mine

we could have been more than bums on flip up seats

like Brando in all his splendour

they didn't understand! we could have had class

we could have both been contenders

Hooray for Pinewood, Ealing too

Hammer Horror, Carry On,

Alfred Hitchcock, David Lean

the talent list went on and on

Towering Inferno, Airport, Jaws

when films were such a big event

worth the queuing in the cold

the best pound fifty i have spent

it's not just the classics but movies to come

the ones that have not yet been shown

a man in a gorilla suit on Beckley point

being buzzed and attacked

by a high flying drone

A long time ago but not so far away

a farm hand offered A new hope

that same hope is alive today

with a slightly smaller scope

Back in 1980 a little green alien

a grand master in the order of the Jedi

triumphed against all the odds declaring

"Do or do not, there is no try"

style and design by W R Glen

multi-use venue, community hub

a working building once again

a design filled with hope and love

live music there, a mid sized venue

cafe chips with salt and vinegar

education and rehearsal space

and the rebirth of local cinema

Lights Camera Action, let's make it happen

Save the Royal a cultural gem

we all adore it lets help restore it

and open up it's doors again

A place for all, for Maids and Beys

For kids and ladies, Gents and blokes

lets not let the mighty Royal fall

th, th, th,, th, th that's all folks

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The Poet Beanz The Poet Beanz

This is not my England (Draca are here)

For St George’s Day, a poem that takes it’s inspiration from the bard himself who is thought to be born and have died on this same date.

This is not my England

flags held aloft like middle fingers

tracksuit crusaders spewing hate

that bitter after taste that lingers


"we're full up mate,

there's no room here

England is bursting at the seams"


says someone repeating lies verbatim

a sleeping Dragon's burning dream


the flags transparent, cheap and nasty

thin rhetoric, like polyester

opaque resentment, open grudges

nursed with dirt and left to fester


but none love England quite enough

to buy a proper flag in cotton

not even old fashioned patriotism

just nationalism, frayed and rotten


each empty white square has potential

the four corners of this green land

for those who brave the wasteful ocean

and leave their footprints in the sand


on England's map mark 'here be Dragons'

for they rule us all by spreading fear

no this is not a fairy tale

make no mistake Draca are here

when you threaten women and frighten children

you reveal your sickness and your fear

how far is too far, too far right ?

right there's the line that you passed here


you can cable tie yourself in knots

domestic violence you don't shout about

degrading flags, like plastic bags

wonky red lines slapped on roundabouts


when i see the provocative Ulstarisation

of the council estate where I grew up

it makes me want to wind down windows

and shout 'please stop, just think and stop'


for the Shire is scorched, debates dried up

as slumbering dragons snort and tut

as England sleep walks into darkness

sneering Wyvern top the anger up


I am not saying close the wall up

with our English dead

better to overwhelm with Bella Ciao

then pry through the portage of the head

i stood here first when in my 20s

in my 30s I prayed this all would end

In despair i returned in my 40's

once more unto the breach dear friends


and yet here I am at 54

hypertension summon up the blood

the fascist far right are emboldened

stiffen the sinews as we should


don't let Dragons teach you to despise

they'll steer your mind and steal your dreams

then fill your heart with empty lies

till poison bursts out at the seams


for they is them, not you or I

they send the working class to die

to die in wars that fill their coffers

while we survive on special offers


some flag bearers are not from this city

where pilgrims fled from persecution

they were sent by greedy fascist lizards

who pocketed their contribution


no noble lustre in fascist lies

but on the side I stand I see

Al Khadir's Christian compassion

Jesus himself was a refugee


dishonour not your mothers now

those fathers who did you beget

less frantic boast and foolish words

a humble heart, lest we forget


we can't decide where to be born

It is not something we can chose

but we can all refuse to hate

so all you fascists are bound to lose


the toxic press the English ruin

they wind us up like clockwork toys

fermented lies they have been brewing

on nights out with the Eton boys


Dragons skim the profits up

and rob our pockets, take our pubs

wither our will until we're spoon fed

pacify us with cheap grub


this is not our England

reformed from traitors on the grift

like a transformer made from an old Allegro

or other British Leyland shit


for they are them, not you or I

they want us to fight and be distracted

then they'll take our rights and liberty

and corrupt bills will be enacted


this England, this other Eden

this blessed plot, this sceptred isle

this diamond when the seas are rough

the three lions that fight with pride


yes this could be our England

no greedy dragons taking over

no Lord or masters stealing land

or bowing heads as they fly over


for it's my flag too

and this country is

much more than the sum of you and me

free speech is no excuse for violence

mindless stupid barbarity


England has become a Dragons haven

an immoral den of iniquity

where a handful of billionaires horde it all

class war forged in antiquity


yet it doesn't have to be like this

as they lay sprawled out across our gold

the smirking dragons all despise us

their hearts and nests are hard and cold


follow your spirit, and upon this charge

join a team in which we all are players

cry 'God for England, and Saint George!'

an England full of Dragon slayers










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The Poet Beanz The Poet Beanz

A RECORD SHOP’S SACRED TO ME

Here is a poem for Record Store Day

Like a Temple of antiquity

A record shop's sacred to me

the gate-fold scrolls

the lost idols

on 45 and 33

the racks all laid with records made

begging to be picked up and played

from A to Zed

in genre beds

their sleeves seem to reach out to me

and say

come on

just take the risk

buy the vinyl

spin the disc

you know there's nothing

'more than this'

a euphonious discovery

Like a place that offers sanctuary

the record shop's sacred to me

I can browse for 40 days

in a place where others come to pray

protected by musicality

or some decree

that sets me free

on flights of fancy

and fights for rights

and bass lines

that keep me up

all night

and say

come here

with bedroom eyes

or promise danger

and surprise

fables, tales

and songs of love

or protest songs

tracks on the blood

like a face that reflects back to me

every life I wish happened to me

a record mirror

a picture disc

yellow Blondie vinyl 'Picture This'

there is something holy in these stores

relics stored across all floors

the faithful in rows

they bow their heads

Long haired headbangers, ska skinheads,

fanatic disciples

by music led

into this place

this sacred space

a record shop's sacred to me

there are no commandments

laid in stone

just advice from Dandy Livingstone

there's no pomposity

in posterity

what's special to you

may not be to me

but we both love 'A Message to You, Rudy'

it's a pilgrimage

it's an important mission

it a quest for Bowie's 'Sound and Vision'

Its a therapy, It's a weird regression

It's a kleptomaniacs obsession

each new release by my favourite band

or the one hit wonder I cannot stand

every obscure track

written just for you

or the chart topping

teeny bopping

massive tune

says come on handsome

take me home

i am much sexier

than a file on your phone

and you know they're right

crackling warm and bright

like an audible candle

through the night

spinning dreams that set us free

a record shop's sacred to me

the thrill of the search, the unexpected

the solo acts, the bands collected

Japanese imports, ten inch EP's

greatest hits and odd obscurities

I love the hunt for something new

for familiar and classic tunes

hidden down the back

the bonus track

some sections beg you to flick through

the chain, the indie left field shop

the gate-fold artwork opened up

single,double, triple LP

cassettes and singles on CD

a record shop's sacred to me

the aisles in which the congregation

gather one groove under a nation

we all come on quests

some in band vests

and criss crass across

'Station to Station'

like a Unitarian church for all

we heard their radio clarion call

you know the band your mate had played?

the record that refused to fade

I now have to collect them all

more releases than members in The Fall

We all turn up for Mark.E.Smith

The Smiths, Robert, for Bob and Cliff

Burton not Richards, Keith not cheggers

Banquet choosers can't be beggars

Stax of records,Def Jam, Epic

Atlantic, Island, labels

Blue note, Motown, Capitol

In crates on top of tables

Our hymn book pressed

Back in the day

Warner, Columbia,RCA

No fairy God

Up in the Sky

Virgin, Elektra,EMI

A record shop's sacred to me

This pilgrimage

This magic quest

the holy grail

a pressing test

White label,

rare find

special mission

original

limited edition

Know the blues

and you will see

that Rock and roll

will set you free

a record shop's sacred to me

be anyone you want to be

a record shop's sacred to me

take all the shops in the high street

but a record shop's sacred to me

there is nowhere else

i would rather be

a record shop's sacred to me









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The Poet Beanz The Poet Beanz

BE KIND

Here is a poem called ‘Be Kind’.

If you cannot begin to understand

if empathy is a foreign land

if you cannot grasp the outstretched hand

then just be kind

if you find yourself starting to judge

if you insist it's all done by the book

if you don't think all you need is love

then just be kind

if the need to denigrate

is always on your simple mind

and your seduced by those who hate

the chance to validate declined

then just be kind

if you slag someone off online

find arguments easy to find

if trolling takes up too much time

then just be kind

if you care for someone else

if you struggle with your mental health

take the time to be kind to yourself

just be kind

don't be happy being nice

or pretending you don't give advice

if someone asks be honest man

give that feedback and you will find

it's not always easy to be kind

but be kind anyway, stop and help

speak out and share the pain

you've felt

be kind

be kind

be kind









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The Poet Beanz The Poet Beanz

My Loving Bloody Valentine

No chocolates or card verse here, but because love is always worth celebrating and the challenge of looking at something so familiar and obvious, and crafting something meaningful and new, by looking through a different lens, and combining a classic, nature, music and magic was too great an opportunity to ignore, here is a valentine poem.


Reverse reverb drenched distorted shoe-gazing indie rock music, Sylvia Plath's 'The Bell Jar', witches transformed into Butterflies starting hurricanes, lipstick and the Devil moon freeing those trapped in the illusory safety of repetition and routine. My loving bloody valentine because love like life, is a messy, bloody, sweaty business.

You are the butterfly

that fluttered high

the azure allure of unshuttered sky

within the bell jar of my heart



no fragile cloche could hope to contain

a lepidopteran hurricane

the sheets of rain on arid plain

the thundering rolling downtown train

your beating wings did start



through all the lives I could have walked

in only one would I meet you

and when I did, begin to live

you were the witch who gave me wings

unlocked my golden chrysalis



my precious papillon valentine



for you forever

love entwined

my loving bloody valentine

to here

knows when

eternity

come back again

and set me free



you are the Devil moon

stole from the skies

i could live forever in your eyes

bathe me in insanity

and free me from dull gravity



my blood red moon, lunar eclipse

the taint that blushes both your lips

crimson, burgundy, vermilion

one chance to dance

one grain of sand within a million



my loving now lined valentine



it feels like standing near the edge

screw up my eyes

the world drops dead

i could live forever in this bed

you need not touch my chin

to lift my head



my silver flecked and well held valentine



you are still a sparkling bubbling stream

the white water, the air between

the flashing light of last nights dream

who lifted all my silly cautions

my stifling bell jars hot distortions

alpha omega

a love like cedar



my evergreen valentine













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The Poet Beanz The Poet Beanz

Hello Winter (Warming Brew)

Taking it’s initial inspiration from the idea of ‘Hygge’ this poem is about much more than cosiness and the comfort of being inside with a hot drink and open fire when it is cold and wet outside.

It is also about lost sounds and friends, summers gone and the winter festival rituals of families and the hazy sentimentality of a glug of whiskey in the month of Burns night.

The accompanying video performance has been recorded with binaural microphones, along with the field sounds that accompany it. Listening back on headphones will put you back into the same aural space and hopefully fill you with the same warm glow this open fire pulsed with.


Hands around the mug

whose heat embraces

all who sit

around

submit

to waves of warmth

the fire emits

inside that cosy feeling

tied

to memories

steamy, hazy

hand made blankets

crocheted patches

recollections

yarn that yearns

to be pulled tight

by cold numb fingers

in the night

held together

under over

weaving tribute

threads that spread

like dry

thatched truths

on saucer lays

a promised biscuit

fragmented pieces

like crumbling wishes

the cinnamon

that tingles

flickers on tongue tip

scented candles

stirring dreams

olfactory scenes

whose sharp pine notes

past family actors

act out

emote

wrap around

like heavy coats

that weigh us down

and keep us grounded

all together once a year

oh how we've not changed

just re-arranged

our jumbled lives

like unmatched socks

the pull of wool

sheep cold on moor

us all content

sheepskin rug

upon the floor

the steam from chocolate hot

the fire of whiskey

just a tot

the briefest flame

that warms you up

and then

the hands around that

hold you close

and gently hint

soft like butter

the crack of toast

the memories of past Decembers

now fluttering ashes

glowing embers

that pulse and fade

like ends of songs

in winters

that go on and on

the joy of being

safe from winds

that tear you hair

and whip your skin

annealed glass

now rattling

crittall windows

touched by

the silent hand

that moves low

like fog

cold as steel

across the land

Jack Frost

who has not etched

the flecks of gloss

not scraped with blade

single panes float

reflections fade

his crystal ferns

unfurling like

the fire that burns

they decorate

in twists and turns

in fronds opaque

intricate

fractal

tumbling shapes

the steam that rises

from wet clothes

the squelch of

muddy puddles

leaves

the soul of boots

that rise to heaven

the longest walk

the sky

that weeps

all over

tors and forest peaks

thrown over

mottled

liver spot ridden

compressed

and stormy

weathered

Devon

and drives us in

to shelter welcome

a kettle boiled

it's whistle gone

the sound

now robbed

along with others

we have missed

of hooves on cobbles

rag and bone

the landline ringing

hallway phone

the tick of clocks

now digitised

and all our lives

so sanitised

the hot tin baths

and babies laughs

and push me mowers

tearing grass

the summers gone

and we are all consigned

to weary sighs

the warmth inside

our hands around the mug

now empty

cold

it's tannin stains

like old friends

gone

their

faces fading

now revealed

dry lips part take

our fate is sealed

topped up again

like photographs

or snatches dreamt

a refilled bath

iridescence

that can't be grabbed

effervescent

crumbs of laughter

that blow across

the hallway

landing

reigniting

those cold embers

the draught

the breath

across those years

the warm

reminder

sea salt tears

the time to sit

and recollect

to reconnect

and

feel that gentle buzz

of warm contentment

a slug of love

so top me up

the Barley Bree

John BarleyCorn

Rabbie and Me

and once again

i will submit

to waves of

comfort

friends

effuse

and

wallow in

that

warming brew





















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The Poet Beanz The Poet Beanz

Morrigan in her tower

After a recent trip to A and E, musings on mortality, Rooks, Ravens, Crows and the Irish Godess Morrigan. With a nod to the great Dylan Thomas' towering 'Under Milk Wood' , “slow, black, crowblack” a photograph I took on the northern coast of Ireland where my Nan was born, and a line from 'WHEN' an old lyric of mine that sums up the joy and terror of nothing ever being certain again, “one day my God just vaporised before my eyes”.


I hope it is not too depressing, as for me it made sense of a lot once down on paper and is quite cathartic to read in performance mode.

Be calm and quiet

my busy mind

but no...

for I'm afeared

that I might die

If one as troubled

stretched as I

should ever pause

for just one breath...



may be my last

as all the thoughts

like gathered stones

that have been smashed

collapse and pause

on top of me

on top of me



when light becomes

a white landslide

and brightness

washes over me

and darkness no longer deified

removes the blindfold

binding me



moved by strobing incertitude

and crippled by dubiety

never a breath or interlude

a knot in my sobriety

one day my God

just vaporised

before my eyes

lay down and died

and so I fill my busy mind

or all the time

is all the time



as second guesses

stitches of doubt

are unpicked by

a rapacious Raven

all that entails

now spilling out

fills up the empty

truth i bathe in



greedy , grasping

kronking beak

the beady eye

that watches me



from a pious branch

it occupies

a position of hard certainty

ridiculous

to grasp so hard

upon the knowledge

laden tree

doubt the condition

that plagues my vision

the emperor's clothes

that best suit me



throughout my life

through other eyes

Ravens on moor

on walls, roadsides



slow black Crow black

moon and tides

powered by the storm inside

surrounded now

by Moor and Sea

the dark that might just

swallow me



If I open up

from my exile

a tiny crack

an unforced smile



the crumbling façade

with no sustaining

whirlwind to mitigate

exposed charade

this page is framing

will slowly disintegrate



and the powdered bones

that were my home

my earthly throne



will blow away

will blow away

and dissipate



and so....



I gallop on

as thundering hooves

ring loud inside my head

they Shake and jar

my bones and skull

and fill my veins with dread



but I hang on

as bits fall off me

and live by wits

that truly cost me

for there is no

fevered manic, busy, life

that does not exact a hefty price



and still the coal black

crow black bird

the Raven

watches me

ebony feathered

hackles weathered

a beard

perched in a tree



the hungry Raven

sees through friends eyes

the not so common sense they share

they feast on

those who have met

grisly ends

untroubled by Voltaire



and it is me

the wilful

stupid me

who will not surrender

screaming at the oceans

snarling face

daring the waves

to crash

as between the rocks I dash

afraid if I should lower sails

that i will miss the rain and gales

come off the rails

and all against which I have railed



it is this momentum

and this madness

that picks up and carries me

the shroud of light

that shadows sadness

breaks the heavy chains of anxiety



and the watching

ancient Raven

I know that he is waiting



I will not calm

my busy mind

in this the witching hour



maybe the Raven watching me

is guarding me

protecting me

maybe that he, is really she



Morrigan in her tower









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The Poet Beanz The Poet Beanz

the filth, judge and jury

On the 1st of December 1976 Broadcaster William Grundy interviewed The Sex Pistols. Grundy proceeded to ambush them, setting himself up as both Judge and Jury for a scene he had no time for, and did not understand. Grundy even admitted later that he had set out "to prove that these louts were a foul-mouthed set of yobs. And that is what I did prove"

Steve Jones though was not the first person to say ‘F*ck’ on British TV. Irish Playwright Brendan Behan achieved the remarkable twin feat of being the first man seen under the influence on British television and the first person to say “F*ck” on the same show, during a live interview on BBC’s Panorama on June 18, 1956.

Brendan Behan got there first

the F word in a Panorama

the host himself

had made it worse

before the playwright

talked of drama

before Mclaren said no wages

if there's no Pistols on TV

never mind the b*ll*cks pundit

here's the rotten BBC

that other Malcolm... Muggeridge

bought Behan Scotch

at 'The Garrick Club'

he had no shoes,

his shirt messed up

four letter word from down the pub

that was back in 56

Behan was dead at 41

an Irish drinker

with writing problems

i’m sure that Borstal was 'No fun'

December the first, 1976

the Sex Pistols had replaced Queen

Bill Grundy called them

foul-mouthed Yobs

before the silver Jubilee

within a month

EMI had dropped them

the contract dead

they'd just begun

moral panic was the reason

(now they had a reason

now they had a reason)

unwanted Holiday in the Sun

regional TV was Pretty Vacant

punk rock presented as 'the new craze'

'ever get the feeling you've been cheated?'

here's 'Anarchy in the UK'

the clink of booze

the air turned blue

a moment of notoriety

the green room schmooze

broadcast the crude

the hosts boasts of lacking sobriety

not the squeaky clean Beatles

nor the nice Rolling Stones

they are both so clean by comparison

burning Punk Rockers with fire in their eyes

not 'Here Comes The Sun'

by George Harrison

my Sweet Lord

forty grand down the Pub

better start the Outrage Express

Bill said 'Come on kids'

then stoked up the fires

and the ire

of the tabloid press

are you being serious

or having a laugh?

the Daily Mirror

the Filth and the Fury

uproar and moans

as viewers jam phones

the Dailys are

both Judge and Jury

Mozart, Bach and Brahms are Brown bread

they're all heroes of ours

and Beethoven's Deaf

they're wonderful people

and they turn us all on

'really? but they are now all so far gone'

other's may like them

'Well that's just their tough sh*t'

good heavens you frighten me to death

What is your suggestion?

a Rude word. Next question

your playing games, I'm really impressed

this geezer Bill, like your Dad or Grandad

patronised like a lecherous hack

what about you girls, Enjoying yourself?

nineteen yr old Siouxsie

threw back

i always wanted to meet you

she said with a camp pout

'we'll meet afterwards shall we?'

said Bill

Thames 'TV Today'

was incredibly grey

meeting Grundy, was hardly a thrill

no one was plastered

53 and no looker

you dirty b*st*rd

you dirty f*cker

you dirty sod

you dirty old man

'say something outrageous'

that was your plan

they were so fresh

that's the real shocker

but TV's Bill Grundy?

what a f*cking rotter

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The Poet Beanz The Poet Beanz

HANDS

A POEM ABOUT HANDS

Hands

On which fingers dressed

With wedding bands

Undress

Caress

For better

For worse

For more or less

Trace the curves

On which you've slept

The breast

In which the secrets kept

Beats heavy

Hot

Beneath

The hair

That caught your breath

The lips

That kissed

Their way

To bliss

That opened yours

The tongue that slipped

It's way

Between

Intentions missed

A sea of caution set adrift

And hands

That land upon

Unexplored sands

The course it threads

Through Silken strands

Fingers untie

The best made plans

The fever dreams

The crazy schemes

That set us free

Gand aft aglee

Exercise in futility

The hands

In which we cradle

Soft demands

The tiny grasp

That grips your finger

The scent of milk

The sighs

Those searching eyes

that linger

The sucking beat

Against your chest

Those little feet

Very first steps

Holding

The hands

The heart

this babe in arms

commands

It beats anew

But tears off days

Weaned off dreaming

Spoon fed time

Till bread is held

And life is grasped

By hungry hands

That search

And grab

And poke and scratch

And touch

And hold

From shawl

To shelter

Hands that build

That sow

That harvest

Hunt and kill

That snap

That grind

That stroke and cup

That thread and heal

That tie and wrap

That tweak and tickle

punch and slap

That run through hair

That massage backs

That hold and squeeze

That pluck and strum

That flick and beat

on skin and drum

That speak in gestures

depress keys

That Write with pens

And set us free

Hands that play scissors

Paper and stone

That pat-a-cake rhymes

Until we've grown

Paint with brushes

Cut with knives

pumped stopped hearts

Back into life

Unfurl ropes and

Cast out lines

throw back the catch

That does not rhyme

Hands that rummage

Hands that find

Hand over heirlooms

Through our lives

Fasten that Jewellery

pin on hats

Hand over titles

Aristocrats

Horses measured

From floor to back

Four inch per hand

Hands that tic tac

Bookies share odds

While at the races

Hands Pat horses

Tie up laces

hands that conjure

and conceal

hands that model

what is real

hands that jazz

and hands that flap

hand over tickets

hands that clap

hands that feed

and hands that cook

that roll the dice

and pick cards up

hands that finalise a deal

funny handshakes

Hands that steal

hands that save

and unkind hands

hands with cards

that hand out bans

with heavy heart

and bloodied hands

hands that swear oaths on the stand

hands that plead

and hands that pray

hands that give it all away

fingers that stretch and search for holds

we all hang on

some till were old

we all must learn

when to let go

on palms they say

is our lives map

Under hands that swipe

The apps we tap

We scroll down days

And finger type

When dawn first breaks

The dead of night

The finger pointing

Sleight of hand

I'd understand

If they were banned

When we lie or sit

Or walk or stand

I'd much rather

be holding

Hands

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The Poet Beanz The Poet Beanz

The Joy Of Running Dogs

The Joy Of Running Dogs

The joy of running dogs

the happy skip of every trip

In rain or sun

on slick wet grass

across hot slabs

the run the walk

the stick and ball

the joy of running dogs

the dreams of running dogs

no need for papers

coffee or news

where they lay

is where they snooze

the happy snore

the snuffling twitch

the scent of leaves

the snap of twigs

the dreams of running dogs

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The Poet Beanz The Poet Beanz

Waiting

This is a poem written whilst waiting in a hospital as my wife had a minor outpatient operation. Having spent some time myself as a patient recently I absolutely understand why such waits are inevitable in a fantastic but strained NHS.

Click on ‘Read More’ to read the poem

So here we go

another hospital

more waiting

then a little chat

it was

impossible

so back we come

to try a new approach

sitting on

the same old seat

discomfort

never broached

waiting, waiting, waiting

can be infuriating

overthinking never blinking

I should be meditating

long corridors

and vinyl floors

no skirting boards

sealed up the walls

still

waiting,waiting, waiting

sit then fidget

stretch my legs

tuck them away

from hurried beds

on wheels

the patients

wheeled like trams

or adult babies in their prams

scratch my elbows

swing knees that fold

tap patella beats

click hammer toes

pinch my ear and

scratch my nose

wait, sit, wait

at least we were not late

routine procedure

unlike a seizure

it's the randomness

I hate

waiting, waiting, waiting

not quite excruciating

the patient patient

consciousness latent

while I'm anticipating

surgery, clinic, casualty

vaccinations,

like pulling teeth

the queues the wait

the sitting down

at least I'm not in the blue gown

impatient at the outpatients

and sorely tried by triage

I thought 'she's here'

but it's not clear

turns out to be a mirage

waiting,waiting,waiting

it's the not knowing

that I'm hating

I grind my teeth in disbelief

the other waiters

find this grating

soon this will pass

like kidney stones

and we will both

be going home

biscuits for her

but not for me

for both of us

a cup of tea

this waiting room

this purgatory

hope springs eternal

leaks for me

ah

I have not been forsaken

here is the end of waiting

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The Poet Beanz The Poet Beanz

NITS, NITS, NITS

If you are a parent, a nursery worker, school teacher or pediatric nurse then you will be familiar with the unspoken Hammer House of Horror that is a plague of nit laying headlice.

Nobody talks about it as though it were somehow connected to bad personal hygiene or a dirty and untidy house. Go through the poem with a fine comb and see if you can spot the Bauhaus lyric and get through the entire thing without scratching your head.

Click ‘Read More’ to read the poem

Nits

Nits

Nits

I hate the little gits

they invade your house

the dirty louse

like a plague that never quits

Lice

Lice

Lice

they're not very nice

combs and Potions

nit killing lotions

fingernails that splice

another annoying

infestation

I wish on them insect cremation

drag them and eggs out

with a comb

stop the insects taking hold

round up the kids

wash their heads

comb out the dead

the tiny eggs

wash the bedding

5000 degrees

hell on earth

for louse and fleas

they become nymphs

just after hatching

then suck your blood

and we start scratching

blood sucking insects

that spit on your head?

of course I want

the biters dead

countless Draculas

and Nosferatu

the tiny vampires

that feast upon you

a six legged

Christopher Lee

the victims have been bled

until your whole house

is Oldman free

Bela Legosi is not dead

decapitate

stake through the heart

garlic drops

before you start

you can live in a mansion

or social housing

you still need chemical

Van Helsing

a nurse , a chef,

barber and teacher

another role

your job will feature

parental duties

pest control

it never ends

destroys your soul

and so to cope

you will soon learn

straighteners make

the parasites burn

still they return

back from the dead

to climb and feed

off every head

Lice

Nits

Lice

you will have then more than twice

unless you shave

your kids hair off

and that's not very nice

itchy creatures

contagious, catching

just mention them

and we start scratching

but they cannot fly

carry disease

they can only crawl

not jump like fleas

I will leave you with one thought

as you stop and scratch your heads

did one just crawl onto your scalp

or can an idea grow six legs?

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The Poet Beanz The Poet Beanz

The Rainbow Road Not Taken

I make no apologies for interpolating Ellen Glasgow’s ‘The Freeman’ (1902), William Wordsworth’s ‘I wandered lonely as a cloud’ (1807) and The Beatles ‘In my life’ (1965) all within a poem about the emotional resonance of characters and worlds created within computer games.

While John Lennon was clearly thinking of lost friends like Stuart Sutcliffe and Wordsworth was musing on the ability of nature to inspire humanity, I am inspired by the ability of stories about humanity (even within non-human protagonists) inside videogame worlds to elicit as much, if not more visceral and emotional responses as great cinema or literature can. There are now friends I am sad to say, that I have spent many joyous hours with, sat around a console, for whom it has now been game over for many years.

Like Glasgow’s hero, Half-Life’s Gordon Freeman, Mafia 3’s Lincoln Clay and Mario himself, are all towering examples of people unwilling to accept bondage and limitations, or to know their place, confronting their oppressors and determined to bring justice to bear.

In Robert Frosts 1916 ‘The Road not taken’ a fairytale decision is mused upon with about as much solemnity as that felt by people of my age when playing an Ian Livingstone ‘Choose your own adventure’ book. Frost himself said “I am never more serious than when I am joking”

Some people think games are simply about a digital characters life and death. I can assure you it is much more important than that.

Click ‘Read More’ to read the poem

Oft when on my couch I lie

In console playing mood

Their worlds they fill my inward eye

The bliss of gaming solitude

I wandered on Lakitu's cloud

that floats on bytes o-er pipes and hills

when all at once I saw fire flowers

piranha plants and shrooms like pills

Climbed ladders playing Chuckie Egg

telepathy had become real

Into a 16 year olds head

Programmers inner worlds revealed

Zx Spectrum Bitmap colour

Just one bit per pixel

Type LOAD " " , start tape

8-Bit landscape

simple adventures, blissful

the sound of Data

one low, nought high

those crazy flashing lines

Manic Miner, Chequered Flag

School Daze, the best of times

In the arcade cabinet i have sat

and zoomed through vector graphics

blew up Death Stars, lassoed At-Ats

And flew to other planets

In Another World, a world of blue

There were no words

No internet

In Ico, I spent weeks in towers

The nostalgia of the infinite

My heart still aches for Yorda

and the abandoned boy

I climbed and rode 16 Colossi

raised Wander's sword, and jumped for joy

I took my part in the Bards tale

and walked through Baldur's Gate

fought enemies in dark dungeons

and smashed a million crates

I've cruised in boats and starships too

through open worlds and galaxies

found trading routes within Elite

set sail with Link on the great sea

I jumped through time in Time Splitters

played as Kings, and Orcs, and Cats

fought countless wars, with guns and swords

with only tea spilled, on mouse mats

first person Shooters, RPGS,

action, Adventure , Sports

epic sprawling massive campaigns

cute independent shorts

a POW Escape from deep within,

an ancient German castle

first in 2D and then in 3

Those Nazis were all assholes

Fergus ,Wyatt, Hendrix, and Tesla

the different paths in Wolfenstein

alternate realities that test ya

your destiny, your own timeline

I dream of streets in New Orleans

that I have walked with Lincoln Clay

raised hell for weeks in lost Heaven

and lost whole days in Empire Bay

I've been James Bond in GoldenEye

also the mud skipper, James Pond

I stormed Normandy 2003

the very first and finest C.O.D

Black Mesa Cave, hope is a slave,

and Gordon is a freeman

Half- Life decay

VR today

held captive by the G-Man

W,A,S and ,D

have long moved characters for me

The Last Of Us and poor Max Payne

now lost in time, like tears in rain

I 've seen things you people would not believe

attack ships on fire, a pink playstation

I grew up with people who set us free

open world procedural generation

some seem to get their downtime thrills

by dancing with the daffodils

but I'll take worlds, fantastic worlds

and things I can control

when things are bad and I am sad

I'll be consoled by my console

For worlds created are no less

real than the one we walk through

less traveled yes, there is no best

choose who you want to talk to

roads may diverge switch back and merge

fact and fiction promote growth

we pass through this yellow wood but once

so why not travel both?

our lives are randomly switched on

new levels every year

we bounce like pixels within pong

the final boss, now holds no fear

These are places I remember all my life,

from different games

some are in my dreams forever

some uninstalled and some are saved

all these games they had their moments

alone and with friends, I've played them all

in some I'm stuck and some are finished

in my life I loved them all

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The Poet Beanz The Poet Beanz

Under the wave

“You can see it everywhere”.

In just six years time Katsushika Hokusai’s spectacular swell will have loomed large over Japanese art for 200 years. It is the most mass produced image in art history and so predictably has been dismissed by many inside and out of art criticism, as though it’s accessibility and enduring appeal were somehow inverse indicators of it’s significance.

Love it or hate it, it is not going anywhere soon and so here are some words on what it means to me

Click ‘Read More’ to read the poem

or head on over to the video page to watch

You can see it everywhere, it broke off Kanagawa

in museums, shops and galleries

on the curtain for your shower

on your phone-case or your wallpaper

in LA , Tokyo and London

a hand carved print of wet brush strokes

we drown in it's abundance

below white foam the Prussian blue

the contrast is effective

for this sea-based Mount Fuji View

pre-selected, fixed perspective

commissioned by the VOC

Katsushika painted scenes

Japan suffered for their sanity

oh how he tried to set them free

years later Van Gogh painted night

in an asylum filled with fear

'these waves are claws, the boat is caught'

it seems you had his ear

though it is clearly now ubiquitous

a never ending fountain

like a perfect curve for Sisyphus

to rick roll his rock back up the mountain

but what's remarkable, extraordinary

and really quite astonishing

for all the high brow curt dismissal

and the art critics admonishing

is the fact that is exists at all

yes,the sea can be quite frightening

not just struck with inspiration

at 50, Hokusai was struck by lightening

brushed with a stroke when in his sixties,

just like the waves that move the sand

he had to learn to paint again

the sleeve erasing was not planned

a striking image that sticks out, for a four Island nation

he painted it at 70, 18 years before his expiration

none braver, than the fisherman

his hair dried out, his skin, rope burned

he rides the wind, stares down the sun,

a lesson in resilience learned

just persevere, cast out the fear,

live now, embrace the motion

live each moment at a time

through life's turbulent deep ocean

life flows like sand, between our fingers

yet hands still grasp, right to the end

grief like the taste of salt, it lingers

a seasoned end for a dear friend

the unthinkable that stumps the thinkers

the carver first removes the wood

here's to the the artists , poets, drinkers

the printer inks the block like blood

the patterns made repeat themselves

woodblock made prints, the artists hand

like spines of books upon a shelf

sacred landscape, the working man

like lives arising from the sea, returning to humanity

that arc, that crest, our worst and best

under the wave is Mount Fuji

for though like fishermen and Sisyphus

our lives may seem absurd

our search for meaning is futile

our prayers are never heard

an ever changing great wave caught

as it comes crashing down

the struggle itself is enough

the mountain never drowns

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The Poet Beanz The Poet Beanz

Two tone at home

For somebody like me growing up and starting to buy records in the late 70s and early 1980’s it is impossible to overstate the importance of the Two Tone Ska Revival here in the UK. The cultural, political and social impact was matched by a personal affinity to a music that felt like our own.

It did not condescend or preach to you. It had that sense of mischief of being on the edge. Even as a preteen it could make you dance and smile and feel the kinship and solidarity that belonging to your own tribe brings you.

Nearly half a century later.

That has never gone away.

Click on ‘Read More’ to read the poem

Mento, Calypso and all that Jazz

blew in on a Jamaican breeze

rhythm and blues , and snares that crack

and hips that sway, chords like palm trees

the walking baseline stepped ashore

in Windrush Brogues so patent bright

black heels clicking, on two and four

one white socked foot lifted each night

the corkscrewed hips, the crawl and twist

the punch, the bass, the upbeat bliss,

the offbeat riddims, guitars that glisten

shimmer upstroke ,breathe and listen

then a later generation

moved by that rock steady beat

syncopated dislocation

the Midland maestro's from the street

the English Beat moved more than feet

and Coventry was Special too

Saxa bridging Orange Street

new wave revival, and Punk 'F*ck you'

made to heal tears, soul inflection

full stop ranking beat creation

staccato Stiff and Two Tone at home

British Ska that moved a nation

gangsters never trashed Hotel rooms

wha'happen dancing Jabsco did

three minutes heroes The Selector

too much pressure under the lid

the only invaders were North London

became the Camden Nutty Boys

brethren of the Prince were invited

racist toddlers threw out their toys

we harassed our mothers for Doc Martins

14 holers if we dared

black Harrington's with tartan lining

ad drainpipe jeans, trousers not flared

buzz-cut, ch ch, braces too, Skinhead style not BNP,

tabloid rubbish all the while

Bad Manners Margate by the sea

Jerry,Terry,Gaps and Pauline,

chequerboard that we adored

Yes and flares and Mud and Wombles

all the things that we abhorred

too young for Punk, but liked the naughty,

the Madness then was Absolute

rebels at playtime, ties as peanuts

beaten with canes and kicked with boots

the energy was so infectious,

the dancehall skanking had us hooked

other tribes could not deflect us

too cool for school was how we looked

and still Ska makes me feel alive,

a running man, two stepping madly

a child transported out of time

a Grandad dancing very badly

so thank you Rhoda, Roger, Doug

your body snatching, toasting tongue

Monsieur Barso, El Thommo, Suggs

by now I'm sure it must be love

©ThePoetBeanz.com 2025

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The Poet Beanz The Poet Beanz

Synths and cats

There is a venn diagram somewhere in which synthesisers and cats overlap. If you are a cat owning synth player then this is for you.

I have always had a cat (though not presently) and many synths. They do not always mix. Synth key beds are already fluff and dust magnets even without the cute furry Gods trampling all over them.

When they do walk across though it is very funny and I have spent many an hour programming patches or equing mixes etc with a cat either on my lap or somewhere else in the studio.

I created some of the images used in the video for this poem with AI and some with composites. AI curiously can create great cats in all their model and manufactured varieties but is pretty useless when it comes to all the different breeds of synths.

Click ‘Watch the Video’ to watch and listen

or click ‘Read More’ to read the poem

Moggies on moogs

Kitties on Korgs

Scratching claws across sliders

Paws on keyboards

TB 303s tabbies

Raving it up

British Short Hairs

On Behringers

Tweaking Res and cutt off

Playing M1s and Oberheims

Squelching and growling

Siamese on Sequential Circuits

Yamaha's yowling

Rexs from Cornwall

and rexs from Devon

Tinkling E Pianos

Sat atop DX7s

Pussies on Prophets

Gingers on Jen's

Cs80 Maine Coons

Tom Cats on Pitch bends

Clavia Nord

Roland and Novation

Ensoniq, Kawaii quacking

Catty clicking notation

In 1981

Dave Smith gave us MIDI

Near eastern wildcat

Prophet of polyphony

Now felis catus

Are all over the world

Splaying out over keybeds

Like cables unfurled

Stretching Abyssinians

Playing Jean Meaow Jarre

Bengal Brian Enos

Sphinxs beeping Vince Clarke

Random riffs from Black Cats

Sound just like Depeche Mode

Burmese cats switch on Bach

For Wendy Carlos at home

Clockwork Orange tom Tron

Eerie Circona The Shining

Transforming metamorphosis

With what she was designing

Feline frequency mod

Gorgio Moroder

Vangelis, Kraftwerk

Cats tweaking controllers

Hissing feral white noise

Lovely Purring sustain

Fluffy Persian resonance

Manx cut off decay

Teeth like a saw tooth

Arched triangle back

Cat on a hot tin roof

Square wave step down racks

Stalk like a sine wave

Oscillating warm purr

Additive synthipuss

Harmonics with fur

Cleaning faces with paws

ADSR tweaking

Felines and Fairlights

Cats chirping and speaking

In league with nerd Humans

Walk on flats and sharps

Cacophonous Orchestral

Manouvers in the Dark

I love cats and synths

So diverse and eclectic

A tiny mewman tubeway army

Our feline friends electric

Something to stroke

Whilst sat in your lap

A producer like Kate

Even moved like a cat

A bird in the hand

Is worth two in the bush

can't resist new synths

Geddy bass pedal Rush

Like the nonplussed look

At a bowl full of food

Even if I can't move

For all the synths in the room

I am about as likely

To keep synth free pledges

As cats are to give up

Batting objects off edges

But where would we be without cats

Without synths

Like a dance with no discos

And statues without plinths

Imagine a world

without ribbons and knobs

No tangerine dreams

No cute furry gods

With fluff in the keyboard

Paw prints on the keys

My mate once had a synth

That was Jumping with Fleas

It's a small price to pay

For a lifetime of love

One without the other?

Just can't get enough

© The Pet Beanz 2025

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POEMS TO COME